The CASH BOX Best Selling Singles | ||||||
Week ending NOVEMBER 22, 1952 | ||||||
TW | TITLE | Artist–Label | LW | 2WK | 3WK | WKS | |
1 | I WENT TO YOUR WEDDING Patti Page–Mercury 5899 | 1 | 1 | 1 | 12 | |
2 | YOU BELONG TO ME Jo Stafford–Columbia 39811 [ Patti Page–Mercury 5899 ] | 2 | 2 | 2 | 16 | |
3 | THE GLOW-WORM Mills Brothers–Decca 28384 | 6 | 6 | 8 | 8 | |
4 | IT’S IN THE BOOK (pts. 1 & 2) Johnny Standley–Capitol 2249 | 7 | 8 | 21 | 6 | |
5 | TRYING Hill Toppers–Dot 15018 | 5 | 9 | 9 | 10 | |
6 | JAMBALAYA Jo Stafford–Columbia 39838 | 3 | 4 | 5 | 12 | |
7 | WHY DON’T YOU BELIEVE ME Joni James–M-G-M 11333 | 15 | 17 | 19 | 5 | |
8 | WISH YOU WERE HERE Eddie Fisher–RCA Victor 47-4830 | 4 | 3 | 3 | 18 | |
9 | TAKES TWO TO TANGO Pearl Bailey–Coral 60817 | 10 | 15 | 13 | 7 | |
10 | MEET MISTER CALLAGHAN Les Paul–Capitol 2193 | 8 | 5 | 4 | 13 | |
11 | YOURS Vera Lynn–London 1261 | 18 | 16 | — | 3 | |
12 | LADY OF SPAIN Eddie Fisher–RCA Victor 47-4953 [ Les Paul–Capitol 2265 ] | 11 | 11 | 11 | 7 | |
13 | BECAUSE YOU’RE MINE Mario Lanza–RCA Victor 49-3914 | 9 | 12 | 10 | 10 | |
14 | HIGH NOON (Do Not Forsake Me) Frankie Laine–Columbia 39770 | 14 | 7 | 6 | 19 | |
15 | MY FAVORITE SONG Georgia Gibbs–Mercury 5912 Ames Brothers–Coral 60846 | 12 | 14 | 17 | 5 2 | |
16 | OUTSIDE OF HEAVEN Eddie Fisher–RCA Victor 47-4953 | 16 | 24 | 15 | 6 | |
17 | HALF AS MUCH Rosemary Clooney–Columbia 39710 | 13 | 10 | 7 | 28 | |
18 | BLUES IN ADVANCE Dinah Shore–RCA Victor 47-4926 | 22 | 21 | 23 | 6 | |
19 | BLUE VIOLINS Hugo Winterhalter & Orchestra–RCA Victor 47-4997 | 36 | — | — | 2 | |
20 | COMES A-LONG A-LOVE Kay Starr–Capitol 2213 | 23 | 20 | 22 | 7 | |
21 | THE RUBY AND THE PEARL Nat “King” Cole–Capitol 2230 | 28 | 26 | 29 | 6 | |
22 | I Don Cornell–Coral 60860 | 26 | — | — | 2 | |
23 | SETTIN’ THE WOODS ON FIRE Jo Stafford & Frankie Laine–Columbia 39867 | 43 | 27 | 25 | 5 | |
24 | HEART AND SOUL Four Aces–Decca 28390 | 31 | 25 | — | 3 | |
25 | NOW Al Martino–Capitol 2260 | 37 | — | — | 2 | |
26 | APRIL IN PARIS Sauter-Finegan Orchestra–RCA Victor 47-4927 | 42 | — | — | 2 | |
27 | STRING ALONG Ames Brothers–Coral 60804 | 32 | 29 | 18 | 13 | |
28 | THREE LETTERS Kay Starr–Capitol 2213 | 44 | 37 | 43 | 5 | |
29 | DANCE OF DESTINY Tony Martin–RCA Victor 47-5008 | 24 | 34 | — | 3 | |
30 | FOOL, FOOL, FOOL Kay Starr–Capitol 2151 | — | 46 | 41 | 15 | |
31 | MY LOVE AND DEVOTION Doris Day–Columbia 39817 | 33 | — | 49 | 2* | |
32 | YOU’LL NEVER GET AWAY Don Cornell & Teresa Brewer–Coral 60829 | 21 | 22 | 27 | 8 | |
33 | INDIAN LOVE CALL Slim Whitman–Imperial 8156 | 25 | 18 | 16 | 13 | |
34 | BE FAIR Don Cornell–Coral 60860 | 29 | — | — | 2 | |
35 | FEET UP (Pat Him On The Po-Po) Guy Mitchell–Columbia 39822 | 34 | 32 | 42 | 13 | |
36 | WHO KISSED ME LAST NIGHT? Rosemary Clooney–Columbia 39813 | 45 | 41 | — | 3 | |
37 | GEE, BUT I’M LONESOME Johnnie Ray–Columbia 39814 | — | — | — | 1 | |
38 | PIECE A-PUDDIN’ Jo Stafford & Frankie Laine–Columbia 39867 | 49 | 40 | — | 3 | |
39 | THE CHERRIES Doris Day–Columbia 39881 | — | — | — | 1 | |
40 | KEEP IT A SECRET Jo Stafford–Columbia 39891 June Hutton–Capitol 2268 | — | — | — | 1 | |
41 | I’M NEVER SATISFIED Nat “King” Cole–Capitol 2212 | 41 | 31 | — | 3 | |
42 | SINNER OR SAINT Georgia Gibbs–Mercury 5912 | 48 | 39 | 38 | 5 | |
43 | MY TORMENTED HEART Sarah Vaughan–Columbia 39839 | 35 | — | 45 | 7 | |
44 | WALKIN’ TO MISSOURI Sammy Kaye & “Swing And Sway” Orchestra–Columbia 39769 | 17 | 33 | 20 | 8 | |
45 | SOMEWHERE ALONG THE WAY Nat “King” Cole–Capitol 2069 | 19 | 19 | 14 | 27 | |
46 | BLUES IN THE NIGHT Rosemary Clooney–Columbia 39813 | 27 | 28 | 26 | 7 | |
47 | FAITH CAN MOVE MOUNTAINS Johnnie Ray–Columbia 39837 | 30 | 23 | 34 | 10 | |
48 | DON’T TEMPT ME Tony Martin–RCA Victor 47-4944 | — | 49 | 35 | 3 | |
49 | TO KNOW YOU (Is To Love You) Perry Como–RCA Victor 47-4959 | 39 | 38 | 28 | 4 | |
50 | AUF WIEDERSEH’N SWEETHEART Vera Lynn–London 1227 | 20 | 13 | 12 | 22 |
NOTE: On the original chart, Cash Box listed the artist and label for every version in current release under each title, with a star next to the artist(s) who had the hit version(s). Just those designated artists are listed above. Additional artists listed below a title in brackets also had hit versions on the concurrent Billboard Best Sellers chart. *This was the second week that the Doris Day version of “My Love And Devotion” was designated as the hit version; prior to that, it was Perry Como’s version. |
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